Semantic Exploration of Emotional Contrast in “Last Christmas” by Wham!

Authors

  • Nerin Sry Rahayu Universitas Terbuka
  • Dimas Adika Universitas Sebelas Maret

DOI:

https://doi.org/10.58989/plj.v4i1.54

Keywords:

emotion, metaphor, semantics, song analysis, Wham!

Abstract

This research aims to examines emotional contradictions in Wham!'s “Last Christmas” through semantic analysis and conceptual metaphors. Using a qualitative descriptive method, six respondents without formal music education provided emotional perceptions of the song. The lyrics, centered on loss and betrayal, employ metaphors like “I gave you my heart” to convey trust and vulnerability. In contrast, the upbeat melody fosters a positive atmosphere, enhancing the emotional complexity for listeners. Findings highlight how metaphors help conceptualize abstract emotions, while the melody emphasizes emotional contrasts. This interplay between lyrics and melody transforms “Last Christmas” into a reflective artistic piece, offering deeper insights into emotional expression and contributing to the study of music-emotion relationships.

References

References

Journals

Adika, D., & Budiarsana, P. A. (2023). Exploring Semantics and the Utilization of Figurative Language in the Song Lyrics of “21 Guns” by Green Day. Pulchra Lingua: A Journal of Language Study, Literature & Linguistics, 2(1), 17-31.

Anh Dao, N. T. (2022). Multimodal Metaphor in Advertising: Cultural Perspectives. European Journal of Literature, Language and Linguistics Studies, 6(1), 89–94. https://doi.org/10.46827/ejlll.v6i1.348

Barradas, G. T., & Sakka, L. S. (2022). When words matter: A cross-cultural perspective on lyrics and their relationship to musical emotions. Psychology of Music, 50(2), 650–669. https://doi.org/10.1177/03057356211013390

Bogunovic, B., Popović Mladjenović, T., & Perkovic, I. (2014). Emotion, Cognition, and Imagery in: Listening, Performing, Composing.

Cameron, L. (2011). Metaphor and Reconciliation: The Discourse Dynamics of Empathy in Post-Conflict Conversations. Metaphor and Reconciliation: The Discourse Dynamics of Empathy in Post-Conflict Conversations. https://doi.org/10.4324/9780203837771

Colbert-White, E., & Fragaszy, D. (2014). Where Apes and Songbirds are Left Behind: A Comparative Assessment of the Requisites for Speech. Comparative Cognition & Behavior Reviews, 9, 99–126. https://doi.org/10.3819/ccbr.2014.90004

Edwards, B. (2019). How experience shapes us (and therapeutic experience reshapes us). Hermeneutic Circular, October 2019, pp. 15-17.

Forceville, C. (2009). Non-verbal and multimodal metaphor in a cognitivist framework: Agendas for research. In Transactions of The Royal Society of Tropical Medicine and Hygiene - TRANS ROY SOC TROP MED HYG. https://doi.org/10.1515/9783110197761.5.379

Lakoff, G., & Johnson, M. (2008). Metaphors We Live By. University of Chicago Press.

Lenaini, I. (2021). Teknik Pengambilan Sampel Purposive Dan Snowball Sampling. HISTORIS: Jurnal Kajian, Penelitian & Pengembangan Pendidikan Sejarah, 6(1), 33–39.

Mawaddah, A. M., & Rahmat, S. (2023). Semantic Analysis Of Meaning In The Song Lyrics “Life Too Short” By Aespa. Strata Social and Humanities Studies, 1(1), 30–35.

Miles, M. B., & Huberman, A. M. (1984). Qualitative Data Analysis: A Sourcebook of New Methods. SAGE Publications.

Pleyer, M., Lepic, R., & Hartmann, S. (2024). Compositionality in Different Modalities: A View from Usage-Based Linguistics. In International Journal of Primatology (Vol. 45, Issue 3). Springer US. https://doi.org/10.1007/s10764-022-00330-x

PUSPITA, Y. E. (2023). SEMANTIC ANALYSIS IN THE LYRICS OF COLDPLAY’S SONGS. AT-TAWASSUTH: Jurnal Ekonomi Islam, VIII(I), 1–19.

Sabine, M., & Weingart, P. (2013). Metaphor and the Dynamics of Knowledge. Metaphor and the Dynamics of Knowledge, 1–186. https://doi.org/10.4324/9780203459980

Saragih, D. Y. (2021). An Analysis of Metaphor in Batak Toba Song Lyrics (Mother Love’s Theme). Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences, 4(2), 2013–2021. https://doi.org/10.33258/birci.v4i2.1889

Schiavio, A., Moran, N., Antović, M., & van der Schyff, D. (2022). Grounding Creativity in Music Perception? A Multidisciplinary Conceptual Analysis. Music and Science, 5, 1–15. https://doi.org/10.1177/20592043221122949

Setjiawan, Y. A. P., Satiadarma, M. P., & Subroto, U. (2022). The Relationship between Musical Preferences and Emotional Regulation in Emerging Adulthood in Jakarta. Proceedings of the 3rd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2021), 655. https://doi.org/10.2991/assehr.k.220404.231

Syahrizal, H., & Jailani, M. S. (2023). Jenis-Jenis Penelitian Dalam Penelitian Kuantitatif dan Kualitatif. Jurnal QOSIM Jurnal Pendidikan Sosial & Humaniora, 1(1), 13–23. https://doi.org/10.61104/jq.v1i1.49

Thomas, N. (2022). Peran Emosi Dalam Interpretasi Musikal Musisi Untuk Meningkatkan Kinerja Estetis (Studi Kasus: Komparasi Pada Pemain Cello dan Gitar). Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 5(1), 1–10. https://doi.org/10.26740/vt.v5n1.p1-10

Thompson, N., Fiorillo, D., Ressler, K., & Michopoulos, V. (2017). Coping Strategies as Mediators in Relation to Resilience and Posttraumatic Stress Disorder. Journal of Affective Disorders, 225. https://doi.org/10.1016/j.jad.2017.08.049

Yuliana, E. (2023). The Correlation Between Students’ Interest In English Songs And Their Listening Skills. UIN Ar-Raniry Fakultas Tarbiyah dan Keguruan.

Books

Semino, E. (2008). Metaphor in Discourse. Cambridge: Cambridge University Press

Downloads

Published

2026-03-05

How to Cite

Rahayu, N. S., & Adika, D. (2026). Semantic Exploration of Emotional Contrast in “Last Christmas” by Wham!. Pulchra Lingua: A Journal of Language Study, Literature & Linguistics, 4(1), 51–59. https://doi.org/10.58989/plj.v4i1.54